Review Fix Exclusive: Irina Abraham Talks ‘The (Last) Station’

Review Fix chats with director Irina Abraham who discusses her upcoming production, “The (Last) Station.”

About the Production:

EXPERIMENTAL, PHYSICAL, AND ABSURDIST THEATRES MEET THIS SUMMER IN THE (LAST) STATION AT THE 2017 PLANET CONNECTION THEATRE FESTIVITY, RUNNING JUNE 12 – JULY 9 AT THE CLEMENTE, 107 SUFFOLK STREET, NYC.

The (Last) Station is written in the avant-garde style of Samuel Beckett and Eugene Ionesco, complete with the unlying yearning for a different reality. The distracted and neurotic characters have one objective: to go to the sea. But this turns out to be a mission impossible. Matters complicate even more because of the mysterious radio announcements in which a menacing Orwellian voice of “Mister Tenant” constantly makes vague threats. How much of their lives are governed by fear?

THE (LAST) STATION by Eugene Muzica performs June 15 @ 9:30 PM; June 18 @ 4:30 PM; June 19 @ 7:00 PM; June 29 @ 5:00 PM; and July 6 @ 7:00 PM. For tickets, visit PlanetConnections.org.

Planet Connections Theatre Festivity are multiple theater, film and music festivals. Planet Connections’ artists use their work to shed light on causes that matter and inspire audiences to get involved. All of PCTF’s artists raise awareness for an organization or topic of their own selection.

Review Fix: What’s your creative process like?

Irina Abraham: Most ensemble members and myself (the director) of Necessary ITEMS project are alumni of The Russian Arts Theatre and Studio. In our work we rely on Stanislavsky to build the inner logics of the characters, Michael Chekhov to bring the characters to life using imagination and sensation work and movement techniques to connect the inner life to physicality and express things that cannot be put into words through our bodies.

Review Fix: What makes this different or special?

Abraham: The (Last) Station has been very different! It is a rather mysterious experience. The text is written like a piece of jazz music. It communicates to us on an emotional level and even though logics has its place in our process, we have been relying a lot on our artistic intuition and building the play through theatre games, movement and improvisation. It almost feels as if we are leaving a lot in the realm of the subconscious in order to keep the mystery and the excitement around it.


Review Fix: What did you learn about yourself through this process?

Abraham: As a director I learned that sitting back and waiting patiently for the actors to find their characters and actions on their own is a rather wonderful and difficult thing. I noticed that the less I tell actors the more they wind up giving me artistically. To make things really happen it is important to come in with the right words and suggestions of physicality and choreography at the right time, when the cast is ready and can take the direction and then bring it to the next level. It has really been a fascinating process.

Review Fix: How does it feel to be a part of something like this?

Abraham: I am simply thrilled to be working with Eugene’s text. I am finding an incredible artistic freedom and curiosity and also fear to be misunderstood and vulnerability, I think this is how doing theatre is meant to feel.

Review Fix: What are your ultimate goals for this production and for the future?

Abraham: Our goal for now is to keep experimenting together as a theatre collective and see where this brings us. Finding our own artistic language is the real goal at this time.

Review Fix: What do you think your audiences will enjoy the most?

Abraham: I hope all of it! The language, the poetry, the ensemble that has incredible chemistry together and so much love for each other and true playfulness, the soundtrack and the choreography, the overall visual feel and the atmosphere we are creating for this show.

Review Fix: What’s next?

Abraham: We hope to keep working with the writer Eugene Muzica and keep discovering. We rather hope to have a production that will run for a few weeks, and be fully produced maybe, next year.

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About Patrick Hickey Jr. 13819 Articles
Patrick Hickey Jr. is a full-time Assistant Professor of Communication & Performing Arts and Director of the Journalism program at Kingsborough Community College and is the chairman of the City University of New York Journalism Council. He is the Founder and Editor-In-Chief of ReviewFix.com. He's also a former News Editor at NBC Local Integrated Media and National Video Games Writer at Examiner.com where his work was mentioned in National Ad campaigns by Disney, Nintendo and EA Sports. Hickey was also the Editor-In-Chief of two College Newspapers before he received his BA in Journalism from Brooklyn College. Hickey's work has been published in The New York Daily News, The New York Times, Complex, The Hockey Writers, Yahoo!, Broadway World, Examiner, NYSportScene Magazine, ProHockeyNews.com, GothamBaseball.com, The Syracuse Post-Standard, Scout.com and the official sites of the Brooklyn Aces and New York Islanders. His first book, The Minds Behind the Games: Interviews With Cult And Classic Video Game Developers was released in April 2018 and is chock full of interviews with legendary developers. His second book in the series, The Minds Behind Adventures Games, was released in December 2019. His third book, The Minds Behind Sports Games, was released in September 2020. His fourth book, The Minds Behind Shooter Games, was released in March 2021. The Minds Behind Sega Genesis Games and The Minds Behind PlayStation Games were released in 2022 and The Minds Behind PlayStation 2 was published in January 2023. Hickey is also a contracted comic book writer, currently penning his original series, "Condrey," as well as "The Job," "Brooklyn Bleeds" "Dem Gulls" and "KROOM" for Legacy Comix, where he serves as founder, owner and Editor-in-Chief. Hickey Jr. is also a voice actor, having starred in the 2018 indie hit and 2019 Switch, PS4 and Xbox One release, The Padre (also serving as English language Story Editor), from Shotgun With Glitters. The sequel, The Padre: One Shell Straight to Hell was released in February 2021- Hickey also served as a Story Editor and Lead Voiceover performer. He has also done narration and trailers for several other titles including The Kaiju Offensive, Relentless Rex and Roniu’s Tale. Hickey is also the lead voiceover performer on Mega Cat Studios’ upcoming title WrestleQuest, responsible for nearly 90 characters in the game, as well as Skybound's Renfield: Bring Your Own Blood, where he voices both Dracula and Renfield, as well as several other characters. He also stars in Ziggurat Interactive’s World Championship Boxing Manager 2, where he performs the VO of nearly every male character in the game. He also worked on the Atari VCS’s BPM Boy.

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