Review Fix Exclusive: Sheridan Reed Talks ‘We Should Both Be Here’


Review Fix chats with singer/songwriter Sheridan Reed, who discusses his origin in music, goals for the future and the creative process for his new track, “We Should Both Be Here.”

Review Fix: How did you get involved in music?

Sheridan Reed: I began playing classical music on the clarinet when I was about 10. Over the years though I switched instruments several times, and joined the jazz choir during high school to learn to sing. Around the same time I started my first band, and then essentially just kept working at it in some form or another until I got to where I am now.

Review Fix: What’s your creative process like?

Reed: Every song is different, but for every song, there is a very specific person, experience, or feeling that I’m writing about, typically from my own life. Sometimes I will be inspired to write about something from an outside perspective, but for the most part, it’s more of a cathartic experience. That being the topic at least. The song themselves typically start with playing through different progressions and working on coming up with something new and original, that will be the basis for the entire song. After that melodies flow and then finally lyrics typically. Occasionally I’ll start with a line of lyrics and build a song around that, but it’s rarer.

Review Fix: What inspires you?

Reed: I get inspiration from everything, whether it’s a certain look someone casts as they glance at me, or being in awe of other musicians I see perform that blows me away. That especially drives me to become a better musician, but right now my biggest focus is learning and growing as a person, not just an artist. That being said, people who are self-aware and are actively being present in their daily lives inspire me to try and do the same.

Review Fix: Why is your latest release a special track?

Reed: This track was really my first song in a new style and genre for me, that I felt really clicked. I had been working on trying to make something like it the better part of a year. Not just that, but it’s also the first track that really represents where I’m trying to go artistically, setting up a solid foundation for future music to be built off of.

Review Fix: How would you describe your sound to someone who has never heard you?

Reed: That’s always a hard question to answer but I typically say a combination of chill r&b and soul-pop. Regardless of which of my songs you hear, there’s gonna be a groove.

Review Fix: How are your live shows different from your studio work?

Reed: My live shows will incorporate live looping with guitar, vocal harmonies, bass lines, using a synth/drum pad, and sax to recreate the sound. But with all that, since I’m recreating a full band sound myself I have the freedom to break it down a little more, or build it up more and improvise.

Review Fix: What are your goals for the rest of 2018?

Reed: Goals for 2018 are to be releasing a new single almost every month with even bigger plans for 2019.

Review Fix: What’s next?

Reed: Next up is going to be the release of the music video for “We Should Both Be Here” sometime in September, followed by the release of a new single at the end of September.

Review Fix: Anything else you’d like to add?

Reed: That I’m incredibly appreciative that I get to do what I do, even though I’m working harder than ever before. I just want to keep having the opportunity to grow as an artist and learn as a person.

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About Patrick Hickey Jr. 14230 Articles
Patrick Hickey Jr. is a full-time Assistant Professor of Communication & Performing Arts and Director of the Journalism program at Kingsborough Community College and is the chairman of the City University of New York Journalism Council. He is the Founder and Editor-In-Chief of ReviewFix.com. He's also a former News Editor at NBC Local Integrated Media and National Video Games Writer at Examiner.com where his work was mentioned in National Ad campaigns by Disney, Nintendo and EA Sports. Hickey was also the Editor-In-Chief of two College Newspapers before he received his BA in Journalism from Brooklyn College. Hickey's work has been published in The New York Daily News, The New York Times, Complex, The Hockey Writers, Yahoo!, Broadway World, Examiner, NYSportScene Magazine, ProHockeyNews.com, GothamBaseball.com, The Syracuse Post-Standard, Scout.com and the official sites of the Brooklyn Aces and New York Islanders. His first book, The Minds Behind the Games: Interviews With Cult And Classic Video Game Developers was released in April 2018 and is chock full of interviews with legendary developers. His second book in the series, The Minds Behind Adventures Games, was released in December 2019. His third book, The Minds Behind Sports Games, was released in September 2020. His fourth book, The Minds Behind Shooter Games, was released in March 2021. The Minds Behind Sega Genesis Games and The Minds Behind PlayStation Games were released in 2022 and The Minds Behind PlayStation 2 was published in January 2023. Hickey is also a contracted comic book writer, currently penning his original series, "Condrey," as well as "The Job," "Brooklyn Bleeds" "Dem Gulls" and "KROOM" for Legacy Comix, where he serves as founder, owner and Editor-in-Chief. Hickey Jr. is also a voice actor, having starred in the 2018 indie hit and 2019 Switch, PS4 and Xbox One release, The Padre (also serving as English language Story Editor), from Shotgun With Glitters. The sequel, The Padre: One Shell Straight to Hell was released in February 2021- Hickey also served as a Story Editor and Lead Voiceover performer. He has also done narration and trailers for several other titles including The Kaiju Offensive, Relentless Rex and Roniu’s Tale. Hickey is also the lead voiceover performer on Mega Cat Studios’ upcoming title WrestleQuest, responsible for nearly 90 characters in the game, as well as Skybound's Renfield: Bring Your Own Blood, where he voices both Dracula and Renfield, as well as several other characters. He also stars in Ziggurat Interactive’s World Championship Boxing Manager 2, where he performs the VO of nearly every male character in the game. He also worked on the Atari VCS’s BPM Boy.

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