Review Fix Exclusive: Gary Morgenstein Talks ‘Black And White Cookie’

Review Fix chats with author and playwright Gary Morgenstein, who lets us know what makes his latest production a special one, as well as what’s next for his acclaimed book series.

Review Fix: What was the inspiration for this project?

Gary Morgenstein: In this world of mental illness known as creativity, the idea came to me, fully realized, while I was at a family party. Suddenly my main characters – Harold Wilson, a gruff, no nonsense African American in his late sixties, and Albie Sands, an eccentric Jewish Communist from the 1960s – were standing there near the platters of baked ziti. Harold and Albie also brought the title, A Black and White Cookie. I know. Writers are weird.

Review Fix: What is your creative process? 

Morgenstein: As Glinda, the Good Witch of the North said, it’s always best to start at the beginning with the characters whose arc and conflicts create the story which, at the end of the day, is about an unlikely friendship between two very superficially different guys who will not go quietly into that good night. In the drama, Harold is forced to close his East Village newsstand after 30 years because of an exorbitant rent increase and retire to Florida to live with his niece Carol. This doesn’t make him happy. Enter long-time customer Albie. Imagine that Bernie Sanders fell on hard times early in his life and never recovered. That could be Albie Sands. Albie persuades Harold to fight back. But Harold has to surmount his anti-Semitism before he and Albie together can overcome hate, find faith and confront corporate greed – and their own mortality.

Review Fix: Are plays about anti-Semitism unusual?

Morgenstein: Yes sadly. I walk a precarious line by presenting good and decent people with blunt anti-Semitic views, showing why they feel that way without excusing those views, while still allowing them to be decent and sympathetic people. You’d be hard-pressed to find a recent play about contemporary Jew hatred, which is surging world-wide, that doesn’t have to do with the Holocaust or neo-Nazis/white supremacists. Portraying absolute evil is frankly easy. But that’s not good drama.

Review Fix: What did you learn/are learning about yourself through this process?

Morgenstein: I started out writing a play about anti-Semitism and ended up with a play about racial harmony, which was wonderful. In the play, Jews are “you people, those people.” Well, most everyone has been “you people” or “those people.” When you make someone less than human, you delegitimize their rights and values as a human being by justifying treating them differently because they’re “not like us.”

Review Fix: Tell me about the cast. What makes them special?

Morgenstein: We have a terrific cast under the direction of the immensely talented, award-winning Joan Kane, who has such a wise and insightful eye. The beauty of theater is giving your story to others who then invest the characters and the perspectives with other eyes and other layers. The very gifted actors are Jim Fromewick, who plays Albie Sands; Roslyn Seale, who plays Carol; Chris Pisano-Collins, who portrays Mitchell; Julie T. Pham, who plays J.N. Pham, and Mansoor Najee-Ullah, who plays Harold. The roles are very complex and we’re so fortunate to have a team like this who totally get the characters and are willing to take risks. I can’t wait to see them on stage. I’m also very proud to have the play premiere at the prestigious Theater for the New City, which has won countless awards for their productions, especially politically inspired plays.

Review Fix: What are your ultimate goals for this piece for the future? Bottom line, why must someone see this production?

Morgenstein: It’s timely and speaks about our world without preaching. This isn’t a history lesson; there are no speeches. These are just people up there with all their flaws like all of us. Hate doesn’t distinguish. It’s wrong no matter where it comes from and no matter whom it targets. But we need to understand why it happens. And we need to listen to each other, as human beings. I hope that this play will make an audience member think and feel about how they think and feel. Sometimes all you can do is try to change the world one performance at a time.

Review Fix: What’s next? 

Morgenstein: The hardcover edition of my critically acclaimed dystopian science fiction-baseball novel A Mound Over Hell will be available March 3 from BHC Press, which will also publish A Fastball for Freedom, the second book in my The Dark Depths series, next year. I’ll also try not to eat too many black-and-white cookies until the play’s over so I don’t look like Russell Crowe. Okay I’m sorry, that was kind of mean.

A production of Ego Actus (Bruce A. Kraemer producer), performances of A Black and White Cookie will be at the Theater for the New City, 133 First Avenue, March 26-April 12, Wednesdays to Saturdays at 8:00pm, Saturdays and Sundays at 3:00pm. There is no matinee on Saturday, March 28. Tickets are $20 and can be purchased online at https://www.artful.ly/store/events/19796 – or at the theater’s box office prior to each performance. The production features set design by Mark Marcante, costumes by Janet Mervin, lighting design by Bruce A. Kraemer, sound design by Richard Gross, props by Lytza Colon, and casting by Jennifer Peralta-Ajemian. The Production Stage Manager is Sabrina Morabito and the Social Media Manager is Laura Varela.

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About Patrick Hickey Jr. 14262 Articles
Patrick Hickey Jr. is a full-time Assistant Professor of Communication & Performing Arts and Director of the Journalism program at Kingsborough Community College and is the chairman of the City University of New York Journalism Council. He is the Founder and Editor-In-Chief of ReviewFix.com. He's also a former News Editor at NBC Local Integrated Media and National Video Games Writer at Examiner.com where his work was mentioned in National Ad campaigns by Disney, Nintendo and EA Sports. Hickey was also the Editor-In-Chief of two College Newspapers before he received his BA in Journalism from Brooklyn College. Hickey's work has been published in The New York Daily News, The New York Times, Complex, The Hockey Writers, Yahoo!, Broadway World, Examiner, NYSportScene Magazine, ProHockeyNews.com, GothamBaseball.com, The Syracuse Post-Standard, Scout.com and the official sites of the Brooklyn Aces and New York Islanders. His first book, The Minds Behind the Games: Interviews With Cult And Classic Video Game Developers was released in April 2018 and is chock full of interviews with legendary developers. His second book in the series, The Minds Behind Adventures Games, was released in December 2019. His third book, The Minds Behind Sports Games, was released in September 2020. His fourth book, The Minds Behind Shooter Games, was released in March 2021. The Minds Behind Sega Genesis Games and The Minds Behind PlayStation Games were released in 2022 and The Minds Behind PlayStation 2 was published in January 2023. Hickey is also a contracted comic book writer, currently penning his original series, "Condrey," as well as "The Job," "Brooklyn Bleeds" "Dem Gulls" and "KROOM" for Legacy Comix, where he serves as founder, owner and Editor-in-Chief. Hickey Jr. is also a voice actor, having starred in the 2018 indie hit and 2019 Switch, PS4 and Xbox One release, The Padre (also serving as English language Story Editor), from Shotgun With Glitters. The sequel, The Padre: One Shell Straight to Hell was released in February 2021- Hickey also served as a Story Editor and Lead Voiceover performer. He has also done narration and trailers for several other titles including The Kaiju Offensive, Relentless Rex and Roniu’s Tale. Hickey is also the lead voiceover performer on Mega Cat Studios’ upcoming title WrestleQuest, responsible for nearly 90 characters in the game, as well as Skybound's Renfield: Bring Your Own Blood, where he voices both Dracula and Renfield, as well as several other characters. He also stars in Ziggurat Interactive’s World Championship Boxing Manager 2, where he performs the VO of nearly every male character in the game. He also worked on the Atari VCS’s BPM Boy.

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