The days of the singer/songwriter have been gone for quite some time, replaced by the glitz and glam of a pop music scene that’s more about looks than musical gravitas. Performers the likes of Bob Dylan, James Taylor, Joni Mitchell or even Johnny Cash or Willie Nelson to a lesser extent have passed many new ears by. Their album covers make better t-shirts than listening experiences. The feeling of a performer powered by their heart and a guitar is one many yearn for despite being a rarity.
That, essentially is what makes Patrick Ames’ EP, Slow Dip Ahead, so special. If nothing else, it is a reminder of two things- the days when the aforementioned musicians stole our ears and demanded our attention and the hope that their legacy isn’t gone and can still influence a world desperately in need of inspiration.
“More Than I Can Take” has an almost Jeff Healy Band, “Angel Eyes” feel early on, but mixes in some warm without any cliche lyrics. If there’s a theme here, it’s that the lyrics of all of these tracks are anything but predictable. “Entangled” is another track that has a similar feel, one that’ll make you think- and once you’ll appreciate more after multiple listens.
The same thing can be said for the musical composition. “Bop Bop Budha” feels like a Cars track, thanks to a sexy bass line and will definitely get your feet moving. It’s a departure from some of the other tracks, but is a reminder of the days when you could get a burger and a milkshake for just a few bucks and didn’t need to use your credit card.
Stripped of bells and whistles, “Somehow I’ll Find a Way,” released last year initially as a single, finds its way on this EP and it’s a welcome addition. Fueled by a smooth drum beat and his comfortable voice, Ames channels a little Roy Orbison here as his voice is extremely comfortable and fun. Feeling almost like a conversation you’d have with yourself in the car on your way home from your work, it’s repetitive, but by design. Also a tribute to classic ‘80s work ballads, it’s energetic, but in a lazy finger-tapping way. The duality between the faster drum beat and Ames, slower vocals made for a pleasant concoction of sounds that make the song even better the more you listen. Again, it’s a different track when compared to some of the other tracks, but it fits in nicely in the end.
A poignant collection of eight-tracks, this deep, but accessible EP has more than enough heart to make up for any shortcomings younger ears would find. More refined souls will see each track as a journey through the heart of a creator that’s seen his share of sunrises and sunsets, but still finds the need to share his soul through a six-string.
Nice review Patrick, well written. Thanks. It’s good to hear thoughtful criticism. The art of writing about music fascinates me