Review Fix Exclusive: Darryl Evan Jones Talks Instrumental Soul And More

Review Fix chats with flutist Darryl Evan Jones, who discusses his new single, the genre he created and so much more.

About Darryl Evan Jones:

Darryl Evan Jones brings the flute’s classic vibe, rich melodic and harmonic possibilities to a new generation.The musical style of Darryl Evan Jones is truly original – combining the genres of Jazz, Classical, and Gospel music. He calls his style Instrumental Soul. Darryl insists that he’s a soul singer who can’t sing, but expresses his emotions through the flute. Born and raised in the South Bronx, music was originally introduced as an alternative to the lure of the streets and other ills of the projects. Soon, it became evident that music was more than a distraction. It was a calling. Darryl began to develop a very unique musical voice that was simply undeniable.

Jones’ journey has brought him to performance stages like The Cannon Center in Memphis, Philadelphia’s Mandell Theater, and the Capital Jazz Fest. He’s also been the opening act for artists like Howard Hewett, Jeff Lorber, Kem, Boney James, and has shared the stage with Marion Meadows. Darryl is also the winner of the “Solo Instrumental” category in the (International) 2024 Made In New York Jazz Competition, representing the United States.

Review Fix: How did you come up with Instrumental Soul?

Darryl Evan Jones: I realized that so much of Smooth Jazz as a radio format had soured to me and that I had a sound that didn’t quite fit any typical box. The first part is a bit obvious, of course. I play a musical instrument. The second part was because I felt my music possessed so much soul and emotion. I also wanted something that best described my unique musical style and made me stand out from the crowd – something catchy. I mean, if I could sing I’d be a soul singer. Since I can’t, “Instrumental Soul” just made sense.

Review Fix: What makes the flute endearing to you?

Jones: The flute is such a versatile instrument – if given the chance. It fits perfectly into Classical music, of course. And the legends like Hubert Laws, Dave Valentin and Herbie Mann made it a force in Jazz. But I remember how well it also fit info R&B/Funk music in the ’70’s and early ’80’s. In the right hands, the flute has the ability to be a caress or a sword – metaphorically of course. It allows me to express myself through various and combined styles of music. The flute also has the ability to completely change the complexion of a song. I remember performing with a large group one time. Some of the audience members commented to me how my flute playing helped to soften the musical presentation and make it enjoyable for them. I also love contrasts. After all, here I am standing almost 6 feet tall and weighing 200 pounds. Oh, and I used to be a major gym rat. That’s not exactly the image anyone has for a flutist. Works for me!

Review Fix: What makes “Resilient” a special track?

Jones: “Resilient” is special on so many levels. I set out to write a song that just sounded like inspiration. It has elements of Gospel, Jazz and funk. The conversations between my flute and the other instruments creates so much energy and interest. “Resilient” evokes such strong feelings up hope, triumph and celebration without ever uttering a single word. Achieving this wasn’t easy – neither is anything else which requires one to be as the song title suggest, but it was the best way I could convey the spirit of being resilient. Imagine writing a song, getting it back from your producer and thinking “oh my goodness!”. Yeah. It was like that. Once my producer (Tazz Fields) infused his staples of Funk and Southern Soul into “Resilient”, I knew we’d struck gold! Sorry if it seems strange, but I can’t get enough of this song.

Review Fix: How do you want it to be remembered?

Jones: I want people to first feel “Resilient” in the depths of their souls. I want it to be remembered as a song that lifted spirits, lightened hearts, and provided encouragement to just keep going knowing that the struggle is worth it. I also want honorable mention to go to making people move – even if they can’t dance. I hope people hear my flute singing to them, even if they don’t quite understand the “words”.

Review Fix: Who do you think will enjoy it the most?

Jones: It’s hard to say. I mean, I hope my flute playing is moving and memorable. After all, it is my musical voice. “Resilient” starts off like a whirlwind and offers something for everyone. There is the aforementioned flute playing. Then, there’s the presence of that funky bass. Let’s not forget the combined beauty of the keys and strings arrangements. Steve Bethany is so nice on that guitar, the way just lays in the cut with it. The cous de grace has to be the call and response hits between the flute and rhythm section.

Review Fix:What’s next?

Jones: In addition to vigorous promotion of all things “Resilient”, my team and I are working tirelessly to secure 2025 live performance dates. I want to share my Instrumental Soul with the world. “Have flute. Will travel.” I love America, but I’m thinking beyond our shores. I’m thinking globally. I’m also working on another album, which will most likely be released one single at a time in the coming year. One of the projects I’m most excited about is a themed video for one of those singles. I don’t want to say too much about it, but I expect its February 2025 release to make tidal waves! Just look for a press release and think Caribbean. 

Review Fix:Anything else you’d like to add?

Jones: Yes. I’d like to honor my Lord, my Savior Jesus Christ. I’m grateful to have him as the center of my life and to have received among other things, the gift of music. I’m thankful for all the wonderful people God continues to put in my life as I endeavor to spread love through music. It’s my sincere hope that my music makes a difference – no matter how small in someone’s life. May it make life just a little better, a little bit sweeter and always soulful.

Review Fix:Where can people find out more?

Jones: My website, http://www.dejmusic.com. On Facebook at Darryl Evan Jones Music. On Instagram is @DarrylEvanJones. For press contacts, reach out to Tom Estey Publicity and Promotion at [email protected]

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About Patrick Hickey Jr. 14315 Articles
Patrick Hickey Jr. is a full-time Assistant Professor of Communication & Performing Arts and Director of the Journalism program at Kingsborough Community College and is the chairman of the City University of New York Journalism Council. He is the Founder and Editor-In-Chief of ReviewFix.com. He's also a former News Editor at NBC Local Integrated Media and National Video Games Writer at Examiner.com where his work was mentioned in National Ad campaigns by Disney, Nintendo and EA Sports. Hickey was also the Editor-In-Chief of two College Newspapers before he received his BA in Journalism from Brooklyn College. Hickey's work has been published in The New York Daily News, The New York Times, Complex, The Hockey Writers, Yahoo!, Broadway World, Examiner, NYSportScene Magazine, ProHockeyNews.com, GothamBaseball.com, The Syracuse Post-Standard, Scout.com and the official sites of the Brooklyn Aces and New York Islanders. His first book, The Minds Behind the Games: Interviews With Cult And Classic Video Game Developers was released in April 2018 and is chock full of interviews with legendary developers. His second book in the series, The Minds Behind Adventures Games, was released in December 2019. His third book, The Minds Behind Sports Games, was released in September 2020. His fourth book, The Minds Behind Shooter Games, was released in March 2021. The Minds Behind Sega Genesis Games and The Minds Behind PlayStation Games were released in 2022 and The Minds Behind PlayStation 2 was published in January 2023. Hickey is also a contracted comic book writer, currently penning his original series, "Condrey," as well as "The Job," "Brooklyn Bleeds" "Dem Gulls" and "KROOM" for Legacy Comix, where he serves as founder, owner and Editor-in-Chief. Hickey Jr. is also a voice actor, having starred in the 2018 indie hit and 2019 Switch, PS4 and Xbox One release, The Padre (also serving as English language Story Editor), from Shotgun With Glitters. The sequel, The Padre: One Shell Straight to Hell was released in February 2021- Hickey also served as a Story Editor and Lead Voiceover performer. He has also done narration and trailers for several other titles including The Kaiju Offensive, Relentless Rex and Roniu’s Tale. Hickey is also the lead voiceover performer on Mega Cat Studios’ upcoming title WrestleQuest, responsible for nearly 90 characters in the game, as well as Skybound's Renfield: Bring Your Own Blood, where he voices both Dracula and Renfield, as well as several other characters. He also stars in Ziggurat Interactive’s World Championship Boxing Manager 2, where he performs the VO of nearly every male character in the game. He also worked on the Atari VCS’s BPM Boy.

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