Ghostbusters Meets Abbott and Costello in IDW’s Newest Trade

Everybody loves monsters.

For over a century, Vampires, werewolves and creatures from various colored lagoons have been a huge part of America’s pop culture.

But with every “Dracula,” comes a “Fright Night.”

More often than not, the stories involving these characters are a hackneyed reprisal of the original work, which fail to invoke the same type of emotional response.

The result is a blizzard of mediocrity and crap.

IDW’s “The Pound” is something different. It’s able to sift its way through all of the stereotypical monster nonsense and craft a tale that relies on a buddy comedy formula just as much as the monsters. The end result is a five-issue run that succeeds far more than it falters.

Sincere, yet wild and wacky, it’s easily one of the best indie comics currently available.

The writing of Stephan Nilson is funny and suspenseful throughout. As the story develops, you’ll find yourself impressed by the depth of the story. A tale of two men who quit their city jobs at Animal Control and start their own business to survive, “The Pound” is reminiscent of “Ghost Busters,” but separates itself by the amount of background. In five issues, you’ll learn secrets about werewolves and vampires and their allegiance and ancient prophecies. This provides the book with a solid angle and a sense of continuance. Without this, it would just be about two hilarious guys who accidentally caught a werewolf. By the end, the story manages to satisfy in spite of a lack of clarity at times.

During certain points in the trade, characters seem to get involved out of nowhere. Minor characters become major ones, with little explanation, in the blink of an eye. It doesn’t hurt the suspense of your disbelief, but it will force you to turn back and reread sections to get a better idea of who’s who.

The same thing can be said for the art of Karl Waller. Colorful and emotional, it’s able to highlight many of the touching and scary scenes in the book quite well. Nonetheless, there are a handful of points where it’s hard to tell what’s going on, or when his work, in general, is flawed.

One scene has the color of a person’s T-shirt change from one panel to the next. The killing wound in the final fight scene is hard to see unless you look closer than you should. Simply put, the visuals, particularly in this scene and other action panels, need to be a little more dramatic and fiery.

Considering how strong the rest of the book is visually and the beautiful design of the supernatural beasts and kick-ass main character, “The Pound” has many more positives than negatives.

No comic is perfect after five issues and “The Pound” isn’t close to perfection yet. The attention to the historic canon of these characters and the fun of two friends trying to survive an economic collapse by starting their own business is too cool to ignore though.

“The Pound” is damn good.

The good news is it can be even better.

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About Patrick Hickey Jr. 14261 Articles
Patrick Hickey Jr. is a full-time Assistant Professor of Communication & Performing Arts and Director of the Journalism program at Kingsborough Community College and is the chairman of the City University of New York Journalism Council. He is the Founder and Editor-In-Chief of ReviewFix.com. He's also a former News Editor at NBC Local Integrated Media and National Video Games Writer at Examiner.com where his work was mentioned in National Ad campaigns by Disney, Nintendo and EA Sports. Hickey was also the Editor-In-Chief of two College Newspapers before he received his BA in Journalism from Brooklyn College. Hickey's work has been published in The New York Daily News, The New York Times, Complex, The Hockey Writers, Yahoo!, Broadway World, Examiner, NYSportScene Magazine, ProHockeyNews.com, GothamBaseball.com, The Syracuse Post-Standard, Scout.com and the official sites of the Brooklyn Aces and New York Islanders. His first book, The Minds Behind the Games: Interviews With Cult And Classic Video Game Developers was released in April 2018 and is chock full of interviews with legendary developers. His second book in the series, The Minds Behind Adventures Games, was released in December 2019. His third book, The Minds Behind Sports Games, was released in September 2020. His fourth book, The Minds Behind Shooter Games, was released in March 2021. The Minds Behind Sega Genesis Games and The Minds Behind PlayStation Games were released in 2022 and The Minds Behind PlayStation 2 was published in January 2023. Hickey is also a contracted comic book writer, currently penning his original series, "Condrey," as well as "The Job," "Brooklyn Bleeds" "Dem Gulls" and "KROOM" for Legacy Comix, where he serves as founder, owner and Editor-in-Chief. Hickey Jr. is also a voice actor, having starred in the 2018 indie hit and 2019 Switch, PS4 and Xbox One release, The Padre (also serving as English language Story Editor), from Shotgun With Glitters. The sequel, The Padre: One Shell Straight to Hell was released in February 2021- Hickey also served as a Story Editor and Lead Voiceover performer. He has also done narration and trailers for several other titles including The Kaiju Offensive, Relentless Rex and Roniu’s Tale. Hickey is also the lead voiceover performer on Mega Cat Studios’ upcoming title WrestleQuest, responsible for nearly 90 characters in the game, as well as Skybound's Renfield: Bring Your Own Blood, where he voices both Dracula and Renfield, as well as several other characters. He also stars in Ziggurat Interactive’s World Championship Boxing Manager 2, where he performs the VO of nearly every male character in the game. He also worked on the Atari VCS’s BPM Boy.

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