Love, Life and Mops

Susan-Kate Heaney has 30 friends she knows everything about.

They know everything about her. She can tell them anything. They can tell her anything, too.

They’re all so close they live together with her and her husband, Marc, in Williamsburg, Brooklyn.

Heaney’s pals don’t need too much space though. A corner in the room or a small closet will suffice.

They’re mops.

Since she was five, Heaney has spoken to and befriended bushy-haired stick-figured cleaning devices. Her current Off Off Broadway show, “Mop-O-Holic,” chronicles her real-life adventures with her best friends.

The performance opens with the exact moment when her life-long fascination with tangled-haired liquid-absorbing pals began.

“I remember I was at my Aunt Rose’s house. I was a very inquisitive child. I had a huge imagination. I was always asking questions,” said Heaney. “At some point, the adults told me to go out and play. I was so bored. I just wanted to play with someone. I saw a mop leaning up against the house. Right away, I thought she was so pretty and could see that she had a face. We became friends instantly. Since then, I’ve been talking to mops.”

Soon enough, Heaney yearned to go back to Aunt Rose’s house to chat with her friend. After three years, her parents gave in and bought her a mop for Christmas. Since then, she’s gotten one every year.

Unlike many childhood hobbies or habits, this one didn’t go away.

And why would they? Between the hugs, chats about sex and hi-jinx she had as a kid with her friends [recreated with the same mops in the production], Heaney was hooked.

“When I was a teenager, one of my brother’s friends asked him why I was always mopping the deck in the back of the house,” said Heaney. “He said he thought I was a good kid. My brother was embarrassed and said I got in trouble a lot.”

While the topic has always been prevalent in her life, the idea to create a play based on her obsession didn’t come to her right away. Originally, Heaney was developing a play about a woman soon to be married. After meeting with director Deanna Raphael, Heaney quickly changed gears.

“I don’t know how it came up. I don’t like to tell people about it,” said Heaney, an NYU graduate and actress who has performed all over the city.  “When she heard about the mops, she said, ‘why aren’t you doing a show about this?’ It was the light bulb moment.”

Together, they have crafted a production that, albeit comedic, is based in 100 percent reality.

And yes, the sex scene in the play involving a mop and a broom is complete non-fiction as well.

“She’s very serious about this; this isn’t a joke to her,” said Raphael. “These are really friends to her. Learning about why she was connected to these mops amazed me; her imagination is very special, incredibly evolved. I’m very proud of this show, I think it’s really good.”

Heaney said the production is difficult to perform sometimes.

“The scene where I leave for college and have to leave the mops behind, everyone laughs,” she said.  “The first time I heard the laughs, I said to myself, ‘that’s not funny. This is a heart-breaking scene.’ It makes me feel good at the same time because it is a comedy.”

Away from the stage, Heaney’s life is far from wacky.  Married to photographer Marc Kelly for over a year, the two share a cozy first-floor apartment in a private home in Williamsburg. Their dog, Dublin, a friendly, red Boston Terrier, greets guests at the door and loves to be pet. The house looks like any young couple’s would, with a nice variety of books on the shelf and a comfy couch in the living room.

Aside from the mops in the corner, everything appears to be normal.

It is, for them.

“When I found out, I was already madly in love with her. I didn’t care,” said Kelly, while holding his wife’s hand. “I don’t mind them. It’s who she is.”

Heaney rarely talks to the mops when Kelly is home, as she uses them to keep herself company when alone. The effect it has on their relationship is minimal.

Ever the loving husband, Kelly has bought his wife a few new friends, fully embracing his wife’s creative quirk.

“I’m sure he was a little scared when he saw my childhood bedroom and 30 mops,” she said. “But he appreciates that his wife has a vivid imagination and rather than cook or clean, she dances in the living room and plays characters.”

While Kelly doesn’t play with mops, he conceded to being a bit of a neat freak. Naturally, no traditional mops are used to clean the couple’s home; only ones of the sponged variety.

“We’re meant for each other,” Kelly, 32, said. “I don’t think being with her is ever not easy; it’s life that is hard.”

Not ironically, the support of Kelly plays a central part of the show. But while it’s all fun and games on stage, the joke is over for Heaney once the curtain hits the floor.

“If you met me, I wouldn’t say within five minutes that I collect and talk to mops,” Heaney said. “It’s not a funny story for me, it’s my life.”

The audience, in spite of their laughter, seems to get it.

“After seeing the world through her eyes for just an hour, you can’t help but see the good inside of most people and inside of most inanimate objects,” said theatre-goer Julia Sulivan. “I left thinking, ‘that girl must never get bored, ever.’”

Mop-o-holic will be next performed at The Peoples Improv Theater (123 E. 24th Street) on October 6, at 8pm. Tickets are $5 and can be reserved at www.brownpapertickets.com/event/177274.

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About Patrick Hickey Jr. 15509 Articles
Patrick Hickey Jr. is a full-time Assistant Professor of Communication & Performing Arts and Director of the Journalism program at Kingsborough Community College and is the chairman of the City University of New York Journalism Council. He is the Founder and Editor-In-Chief of ReviewFix.com. He's also a former News Editor at NBC Local Integrated Media and National Video Games Writer at Examiner.com where his work was mentioned in National Ad campaigns by Disney, Nintendo and EA Sports. Hickey was also the Editor-In-Chief of two College Newspapers before he received his BA in Journalism from Brooklyn College. Hickey's work has been published in The New York Daily News, The New York Times, Complex, The Hockey Writers, Yahoo!, Broadway World, Examiner, NYSportScene Magazine, ProHockeyNews.com, GothamBaseball.com, The Syracuse Post-Standard, Scout.com and the official sites of the Brooklyn Aces and New York Islanders. His first book, The Minds Behind the Games: Interviews With Cult And Classic Video Game Developers was released in April 2018 and is chock full of interviews with legendary developers. His second book in the series, The Minds Behind Adventures Games, was released in December 2019. His third book, The Minds Behind Sports Games, was released in September 2020. His fourth book, The Minds Behind Shooter Games, was released in March 2021. The Minds Behind Sega Genesis Games and The Minds Behind PlayStation Games were released in 2022 and The Minds Behind PlayStation 2 was published in January 2023. Hickey is also a contracted comic book writer, currently penning his original series, "Condrey," as well as "The Job," "Brooklyn Bleeds" "Dem Gulls" and "KROOM" for Legacy Comix, where he serves as founder, owner and Editor-in-Chief. Hickey Jr. is also a voice actor, having starred in the 2018 indie hit and 2019 Switch, PS4 and Xbox One release, The Padre (also serving as English language Story Editor), from Shotgun With Glitters. The sequel, The Padre: One Shell Straight to Hell was released in February 2021- Hickey also served as a Story Editor and Lead Voiceover performer. He has also done narration and trailers for several other titles including The Kaiju Offensive, Relentless Rex and Roniu’s Tale. Hickey is also the lead voiceover performer on Mega Cat Studios’ upcoming title WrestleQuest, responsible for nearly 90 characters in the game, as well as Skybound's Renfield: Bring Your Own Blood, where he voices both Dracula and Renfield, as well as several other characters. He also stars in Ziggurat Interactive’s World Championship Boxing Manager 2, where he performs the VO of nearly every male character in the game. He also worked on the Atari VCS’s BPM Boy.

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