Review Fix Exclusive: Tom Boy Talks Origins in Music, Goals And More

Review Fix chats with Tom Boy’s Nate Daniels and Dante Berardi Jr., who discuss the band’s origin and goals for the future, as well as their creative process.

Review Fix: How did you get involved in music?

Nate: I took a wrong turn down a dark alley and ended up singing in a church choir. Kidding. I guess it was a conscious decision in my early days in Toronto. I wanted to be on stage and I didn’t want to be a stage actor. So this seemed to be the next best thing.

Dante: I was born into it. God Father was Canadian Rock N Roll Legend Bobby Curtola, Father was the first music director of the ECMAs and played 7 instruments, my Grandfather on my mom’s side ran 2 radio stations in Moncton, New Brunswick and Coordinated huge outdoor concerts. 

Review Fix: What’s your creative process like?

Nate: It usually starts with a night alone. After a drink or two. After a few tokes. But I am always alone at first – It helps me to channel the things I want to say but don’t have the strength to sober. And then everything seems to all just come at once; the chords, the words, the melody. It’s rare that it happens separately. And then I take that initial mess and put it on Dante’s desk.

Dante: It is something like channeling I think. I play around with some notes and it goes where it will, or I play around over something Nate created, or I just try and create the stuff I am constantly hearing in my head. Things just come out of no where. No rhyme or reason. Happens without fail. 

Review Fix: What inspires you?

Nate: Simplicity and routine – BORING I know. But everyone does chaos so well. I like to perfect the things that everyone else fails at.

Dante: Anything that makes me feel. Sometimes that is a song, sometimes that is a photo, sometimes it is silence, sometimes it is how the light is coming through a window and landing on the wall. 

Review Fix: How would you describe your sound to someone who has never heard you?

Nate: “Regret rock,” “regrettably independent,” “shame-synth”, “ambiguously alternative” “passive-aggressive pop”, shall I go on?

Dante: “Sonic Arctic Death Pop”

Review Fix: How are your live shows different from your studio work?

Nate: The studio is meticulously drawn out, edited, and carefully designed. The live show is unhinged, and many elements go unrehearsed. We aren’t interested in predictability. 

Dante: The live show is like the best first date in summer, the studio is like a fist fight with someone bigger than you who has brass knuckles on.

Review Fix: What inspired your latest single?

Nate: The demise of a previous project, a break-up of sorts. The need for change. And to be quite honest, a very honest depiction of what life could be like after experiencing soaring success and then epic failure.

Dante: Anger, Regret, Self Loathing, Self Deprecation. Self Medicating. 

Review Fix: What are your goals for the rest of 2019?

Nate: Take on more than I can handle.

Dante: I want to speak less and listen more.

Review Fix: What’s next?

Nate: Eventually we’ll need to get this touring train on the road. I’ll just need to get Dante to quit his job…

Dante: Buy a house boat. 

Review Fix: Anything else you’d like to add?

Nate: God Bless America and all of its allies.

Dante: Some ships are made of metal, some ships are made of wood, but the best ships……..are FRIENDSHIPS. 

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About Patrick Hickey Jr. 13858 Articles
Patrick Hickey Jr. is a full-time Assistant Professor of Communication & Performing Arts and Director of the Journalism program at Kingsborough Community College and is the chairman of the City University of New York Journalism Council. He is the Founder and Editor-In-Chief of ReviewFix.com. He's also a former News Editor at NBC Local Integrated Media and National Video Games Writer at Examiner.com where his work was mentioned in National Ad campaigns by Disney, Nintendo and EA Sports. Hickey was also the Editor-In-Chief of two College Newspapers before he received his BA in Journalism from Brooklyn College. Hickey's work has been published in The New York Daily News, The New York Times, Complex, The Hockey Writers, Yahoo!, Broadway World, Examiner, NYSportScene Magazine, ProHockeyNews.com, GothamBaseball.com, The Syracuse Post-Standard, Scout.com and the official sites of the Brooklyn Aces and New York Islanders. His first book, The Minds Behind the Games: Interviews With Cult And Classic Video Game Developers was released in April 2018 and is chock full of interviews with legendary developers. His second book in the series, The Minds Behind Adventures Games, was released in December 2019. His third book, The Minds Behind Sports Games, was released in September 2020. His fourth book, The Minds Behind Shooter Games, was released in March 2021. The Minds Behind Sega Genesis Games and The Minds Behind PlayStation Games were released in 2022 and The Minds Behind PlayStation 2 was published in January 2023. Hickey is also a contracted comic book writer, currently penning his original series, "Condrey," as well as "The Job," "Brooklyn Bleeds" "Dem Gulls" and "KROOM" for Legacy Comix, where he serves as founder, owner and Editor-in-Chief. Hickey Jr. is also a voice actor, having starred in the 2018 indie hit and 2019 Switch, PS4 and Xbox One release, The Padre (also serving as English language Story Editor), from Shotgun With Glitters. The sequel, The Padre: One Shell Straight to Hell was released in February 2021- Hickey also served as a Story Editor and Lead Voiceover performer. He has also done narration and trailers for several other titles including The Kaiju Offensive, Relentless Rex and Roniu’s Tale. Hickey is also the lead voiceover performer on Mega Cat Studios’ upcoming title WrestleQuest, responsible for nearly 90 characters in the game, as well as Skybound's Renfield: Bring Your Own Blood, where he voices both Dracula and Renfield, as well as several other characters. He also stars in Ziggurat Interactive’s World Championship Boxing Manager 2, where he performs the VO of nearly every male character in the game. He also worked on the Atari VCS’s BPM Boy.

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