Review Fix Exclusive: Philip Seymour Hoffman Interview: A Star On and Off the Camera

For close to 20 years, Philip Seymour Hoffman has made a career for himself in Hollywood by playing diverse characters, ones that usually border on the most extreme of human emotions. Unlike many other actors, Hoffman doesn’t have a ‘type.’ Able to play everyone from the cool rock DJ in “Pirate Radio,” to the progressive priest in “Doubt,” the 42-year-old continues to surprise audiences with his versatility.

Because of that, it shouldn’t come as a shock to many that Hoffman now has a big-screen director’s credit on his resume with “Jack Goes Boating,” a film that appeared at the Sundance Film Festival this year. Starring in the flick as well, playing the love-stricken title character, Hoffman doesn’t shy away from more responsibility.

Instead, he revels in it.

Originally an off-Broadway play, the film was Hoffman’s for the taking in pre-production. Ready for another challenge in his ever-growing career, the New York-native wasn’t shy about getting behind the camera.

“I’ve been doing theater for 20 years and after 10, I figured it was natural to go into directing,” said Hoffman. “Even though I’m an actor, I haven’t always thought as one; I’ve thought about things visually and in terms of storytelling as well. Then when this opportunity arose, because this was a play that was very cinematic and everyone spoke about it that way; it was natural. It wasn’t a surprise. It just seemed like a natural extension and when they asked me to direct, I said yeah.”

Armed with a talented cast, consisting of Amy Ryan, John Ortiz and Daphne Rubin-Vega, who for the most part, appeared in the play and were familiar with him, Hoffman led the charge and turned the little-known play into a thoughtful, endearing and polished piece of cinema. Taking place in the heart of New York City, the film has a poignancy that many romantic comedies lack and forget all about, while they’re in search of the successful pieces of the standard Hollywood formula. While “Jack Goes Boating” never truly feels like an independent movie, mainly due to the solid production values and excellent script, the direction of the film makes it one of a kind and from a different mold altogether.

At some times ominous and other times joyful, there’s nothing formulaic about “Jack Goes Boating.” Running the full gamut of human emotion, the film is as real as it gets and embodies what Hoffman brings to the table as both a director and an actor.

Squeezing the marrow out of his actors on set and demanding the most from them, Hoffman ends up creating a story that is relatable and honest. Unlike the plethora of mediocrity in the genre today, there aren’t any dance montages at the end and there aren’t any guest appearances by washed-up celebrities. At its core, the film is a shining example of what a romance-comedy should be about: life and love.

“A lot of directors, for a lot of reasons, settle for things on-screen that aren’t complete and because of that, the wrong things happen,” said Ortiz, who plays Clyde, Hoffman’s best friend in the film. “He knows what we’re capable of doing and it was always important for us to go there and find that extreme. Luckily, we had him there to demand that from us. Sometimes, the producers told us it was time to move on and he insisted that we get things right. That was great.”

That is something Hoffman himself is proud of more than anything else.

Known for asking the most out of himself as a performer throughout his career, Hoffman extended that notion on his way to the director’s chair, creating an end result both he and his cast were proud of.

“It was pretty exciting and satisfying to be honest,” Hoffman said. “It wasn’t scary like acting. Acting is scary. Acting is a much harder job in the moment in a lot of ways. Directing is a very long job and you have to deal with many people. It’s an arduous job, but it’s satisfying because you’re always around people. At the beginning of the day and at the end. Actors, on the other hand, are always alone. It’s a lonely profession.”

Nevertheless, Hoffman never made his actors feel that way during production.

“He’s very generous, very specific,” said Ryan, who co-stars with Hoffman in the film. “He shares so much of his own life with his actors. He spoke a lot about how personal this story was to him and he knows he has to get his actors to feel, to get to that point where they can perform. If that means opening up and sharing things that he wouldn’t normally in an outside group, that’s what he’ll do. It was great.”

That sense of responsibility to a film isn’t a trait common to most actors and one that his cast picked out as one of his most endearing qualities as a director.

Able to be both sympathetic to his actors’ needs and still be at the top of his game as a director, Hoffman has apparently found the best of both worlds.

“It was worth it,” said Rubin-Vega, who plays Lucy in the film. “He maximized the feeling the film had. He’s an intense person; that’s just the way he is. He was wonderful and generous to us. As an actor, he’s very serious, but as a director, he was great to us. He loved us.”

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About Patrick Hickey Jr. 14229 Articles
Patrick Hickey Jr. is a full-time Assistant Professor of Communication & Performing Arts and Director of the Journalism program at Kingsborough Community College and is the chairman of the City University of New York Journalism Council. He is the Founder and Editor-In-Chief of ReviewFix.com. He's also a former News Editor at NBC Local Integrated Media and National Video Games Writer at Examiner.com where his work was mentioned in National Ad campaigns by Disney, Nintendo and EA Sports. Hickey was also the Editor-In-Chief of two College Newspapers before he received his BA in Journalism from Brooklyn College. Hickey's work has been published in The New York Daily News, The New York Times, Complex, The Hockey Writers, Yahoo!, Broadway World, Examiner, NYSportScene Magazine, ProHockeyNews.com, GothamBaseball.com, The Syracuse Post-Standard, Scout.com and the official sites of the Brooklyn Aces and New York Islanders. His first book, The Minds Behind the Games: Interviews With Cult And Classic Video Game Developers was released in April 2018 and is chock full of interviews with legendary developers. His second book in the series, The Minds Behind Adventures Games, was released in December 2019. His third book, The Minds Behind Sports Games, was released in September 2020. His fourth book, The Minds Behind Shooter Games, was released in March 2021. The Minds Behind Sega Genesis Games and The Minds Behind PlayStation Games were released in 2022 and The Minds Behind PlayStation 2 was published in January 2023. Hickey is also a contracted comic book writer, currently penning his original series, "Condrey," as well as "The Job," "Brooklyn Bleeds" "Dem Gulls" and "KROOM" for Legacy Comix, where he serves as founder, owner and Editor-in-Chief. Hickey Jr. is also a voice actor, having starred in the 2018 indie hit and 2019 Switch, PS4 and Xbox One release, The Padre (also serving as English language Story Editor), from Shotgun With Glitters. The sequel, The Padre: One Shell Straight to Hell was released in February 2021- Hickey also served as a Story Editor and Lead Voiceover performer. He has also done narration and trailers for several other titles including The Kaiju Offensive, Relentless Rex and Roniu’s Tale. Hickey is also the lead voiceover performer on Mega Cat Studios’ upcoming title WrestleQuest, responsible for nearly 90 characters in the game, as well as Skybound's Renfield: Bring Your Own Blood, where he voices both Dracula and Renfield, as well as several other characters. He also stars in Ziggurat Interactive’s World Championship Boxing Manager 2, where he performs the VO of nearly every male character in the game. He also worked on the Atari VCS’s BPM Boy.

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